CERAMICS BY JANE ANNOIS
Fluidity - This raku work stands 32 cm high, 35 cm wide and at its base it is 15 cm deep. It comprises two parts, its rectangular base and a circular dome, which rests balanced to the right hand. It powerfully conveys the warmth and richness achieved with this ancient crafting process.
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Desert Night - This raku vessel stands 36 cm high, 18 cm wide and is 12 cm deep. Several layers and treatments create a three dimensional
highly textured effect of great beauty, with contrasting treatments on each facing.
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For further specific details about other raku fired decorative art shown in the Gallery, please contact us.
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The Art of Japanese Raku
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Jane focuses primarily on exploring the art of Japanese raku. The raku process produces great variation in glaze and colour.
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History of Raku
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Originally the Japanese used this method of firing to create individual and sensual pieces for the tea ceremony. Contemporary potters have adapted the technique to develop the typical characteristics of crackle glazes and lustres, with contrasting areas of black. In Jane’s work, she applies a fine slip called terrasigillata which gives soft, warm ochre colours.
Terrasigillata, matt and shiny glazes are used in contrast on her contemporary forms, with ancient references. Jane is concerned with the combination of form, surface, glazes and firing while incorporating the textures and colours of the natural environment.
The fine, silky slip that is terrasigillata, was used by the Greeks over 2000 years ago to seal and decorate their pots.
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Raku Process
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Most pieces are thrown, many have handbuilt components. The spontaneity of raku firing offers continual challenges as timing is crucial to achieve a balance between the effects of crazing and the possible variations of colour and lustre. It is the elusive control of the elements earth, fire and air which ensure that each piece is individual.
The pieces are fired in a gas kiln to 980o C, then removed with tongs. Glowing hot they are placed in a metal container lined with newspaper. This burns instantly, is smothered and sealed producing a reduction atmosphere in the bin. The reduction of oxygen in the bin and consequently in the glazes produces metallic lustres, blackened areas and highlights the crackle glazes, giving the pieces their unique character.
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